Stacey Kent Dreamsville

Vocalist Stacey Kent may or may not be “the greatest ballad singer in half a century,” as her PR claims, but her straightforward renditions of these by-request ballads are not at all generic. What makes them consistently delightful is her unique sound and delivery. There’s a certain brassiness, a trumpet-like pointedness, in her voice, as well as a host of endearing idiosyncrasies. Kent knows how to make every tune fit her own musical persona.. Dreamsville includes a number of seldom-heard gems, particularly “You Are There” by Johnny Mandel and Dave Frishberg, “You’re Looking at Me” by Bobby Troup, and the ever-stunning title track by Henry Mancini. She also presents perennial favorites like “Polka Dots and Moonbeams” and “Thanks for the Memory” (the latter not exactly a ballad). And although this is Kent’s hour all the way, her band provides expert backing and more than a few surprises.

The singer’s husband, Jim Tomlinson, takes a break from tenor sax to play a sumptuous clarinet solo on “Polka Dots.” And in the midst of Rodgers & Hart’s “Little Girl Blue,” pianist David Newton, bassist Simon Thorpe, and drummer Jasper Kviberg fall away, entering again only after Tomlinson and Colin Oxley perform a hushed tenor/guitar duet chorus.

Vocalist Stacey Kent may or may not be “the greatest ballad singer in half a century,” as her PR claims, but her straightforward renditions of these by-request ballads are not at all generic. What makes them consistently delightful is her unique sound and delivery. There’s a certain brassiness, a trumpet-like pointedness, in her voice, as well as a host of endearing idiosyncrasies. Kent knows how to make every tune fit her own musical persona.. Dreamsville includes a number of seldom-heard gems, particularly “You Are There” by Johnny Mandel and Dave Frishberg, “You’re Looking at Me” by Bobby Troup, and the ever-stunning title track by Henry Mancini. She also presents perennial favorites like “Polka Dots and Moonbeams” and “Thanks for the Memory” (the latter not exactly a ballad). And although this is Kent’s hour all the way, her band provides expert backing and more than a few surprises.

The singer’s husband, Jim Tomlinson, takes a break from tenor sax to play a sumptuous clarinet solo on “Polka Dots.” And in the midst of Rodgers & Hart’s “Little Girl Blue,” pianist David Newton, bassist Simon Thorpe, and drummer Jasper Kviberg fall away, entering again only after Tomlinson and Colin Oxley perform a hushed tenor/guitar duet chorus.

• Produced by: Jim Tomlinson
• Recorded at: Curtis Schwartz Studios, Ardingly, England 19th to 21st June 2000
• Re-mastering by: Ray Staff

• Handling Note: **Please allow an additional 5 business days for this item's shipment.**
• Format: Vinyl
• Released: 7/14/16
• Internal ID: JIT
• Format Detail: LP Black
• Genre: Jazz

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Phone:  314.675.8675