Charles Lloyd Love-In

Four-and-a-half decades after the event, saxophonist Charles Lloyd’s Love-In, recorded live at San Francisco’s Fillmore Auditorium in 1967, the counterculture’s West Coast music hub, endures as much as an archaeological artifact as a musical document. From sleeve designer Stanislaw Zagorski’s treatment of Rolling Stone photographer Jim Marshall’s cover shot, through the album title and some of the track titles (“Tribal Dance,” “Temple Bells”), and the inclusion of John Lennon and Paul McCartney’s “Here There and Everywhere,” Love-In’s semiology reeks of the acid-drenched zeitgeist of the mid 1960s, a time when creative music flourished, and rock fans were prepared to embrace jazz, provided the musicians did not come on like their parents: juicers dressed in sharp suits exuding cynicism.

It is likely that more joints were rolled on Love-In’s cover than that of any other jazz LP of the era, with the possible exception of saxophonists John Coltrane’s A Love Supreme (Impulse!, 1965) and Pharoah Sanders’s Tauhid (Impulse!, 1967). Chet Helms, a key mover and shaker in the West Coast counterculture, spoke for many when he hailed the Lloyd quartet as “the first psychedelic jazz group.”

It is to Lloyd’s credit that, at least in the early stages of his adoption by the counterculture, he resisted dumbing down his music. The adoption stemmed from Lloyd’s espoused attitude to society, his media savvy, his sartorial style and his sheer nerve in playing jazz in the temples of rock culture. He took the quartet into the Fillmore West three years before trumpeter Miles Davis took his into the Fillmore East—as documented on Live at the Fillmore East, March 6 1970: It’s About That Time (Columbia)—by which time his pianist, Keith Jarrett, and drummer, Jack DeJohnette, were members of Davis’ band (although Jarrett didn’t appear at the 1970 gig).

So Love-In comes with a load of baggage, some of it less than fragrant. But as 45 minutes of music, it still has legs. Lloyd’s vocalized tenor (and flute on two tracks) has Coltrane-derived muscle; the young Jarrett’s lyrical and funky solos, particularly on his 07:55 showcase, the gospel-ish “Sunday Morning,” his two featured originals (“Sunday Morning” and the soul jazz-ish “Is It Really the Same?”), and his playing the strings of the piano directly with his hands, all remain compelling; McClure and DeJohnette are solid and inventive.

• Format: Vinyl
• Handling Note: **Please allow an additional 5 business days for this item's shipment.**
• Availability: Pre-Order
• Format Detail: LP Black
• Genre: Jazz
• Internal ID: JIT

Domestic U.S. Standard Shipping: Arrives within 5-7 business days.

International Shipping:  We ship to many countries worldwide. 

Delivery times and costs depend on the destination and the shipping method selected.

Please note, international customers are responsible for any customs, duties and taxes.

Upgraded Shipping services are available upon request.  

Please email mark@musicrecordshop.com for more information. 

Order Processing

Orders are ordinarily handled inside 1-2 business days. You will get a confirmation email upon shipment with a tracking number. 

Shipping Rates

Shipping charges are based on the weight of your order and the selected shipping method at checkout. We strive to offer competitive shipping rates for the best value.

Free Shipping

We offer free standard shipping on domestic orders on selected packs and vinyl offerings. 

Returns and Exchanges

Please contact us with any return or exchange requests.

Email:  mark@musicrecordshop.com

Phone:  314.675.8675

Return Policy

Returns are accepted within 7 days of product delivery.  

New vinyl must be unopened and unplayed, unless there is concealed damage.  

Used vinyl is graded for vinyl and jacket condition.  Please contact us directly if there is a problem. 

Signed vinyl records cannot be returned unless they are damaged or defective.

Sleeves and LP Mailers can be returned within 7 days.  

Please contact us with any return issue.

Email: mark@muscirecordshop.com

Phone:  314.675.8675

Return Process

Contact Us: To initiate a return, email us at mark@musicrecordshop.com or call us at 314.675.8675. Include your order number and product issue.

Ship the Item: Pack the item securely for return. 

Refunds:  A refund will be issued after we receive and inspect your returned item. 

You will receive an email notification of the refund. 

Exchanges: If you need to exchange an item, please contact us.

Email: mark@musicrecordshop.com

Phone: 314.675.8675.

Return Shipping

Customers are responsible for return delivery costs except if the item is damaged. Please contact us if you need a return label.  

Email:  mark@musicrecordshop.com

Phone:  314.675.8675